{"id":20,"date":"2018-07-04T14:36:25","date_gmt":"2018-07-04T12:36:25","guid":{"rendered":"http:\/\/www.buerozwei.berlin\/?page_id=19"},"modified":"2024-03-28T19:52:22","modified_gmt":"2024-03-28T18:52:22","slug":"henrieke-markert","status":"publish","type":"page","link":"https:\/\/www.buerozwei.berlin\/en\/profiles\/henrieke-markert\/","title":{"rendered":"Henrieke Markert"},"content":{"rendered":"

Translation and Interpreting<\/strong>
\nDE\/IT\/EN<\/strong>
\nhm@buerozwei.berlin<\/a><\/b><\/p>\n

Henrieke Markert, born in 1985, studied Italian Philology and History of Art at the TU Dresden and the University of Trento as part of the German-Italian double degree programme, graduating with a German Magister and an Italian M.A. in Comparative Literature. She then went on to obtain an MA in Conference Interpreting (German, Italian, English) at Heidelberg University, including one semester as an exchange student at the Middlebury Institute of International Studies (USA). Since 2015 she has been working as a freelance translator, interpreter and live subtitler (rbb Fernsehen) in German, Italian and English. In 2017 she completed a residency with the Hieronymus Programme for emerging translators; she also had a scholarship with the Berliner \u00dcbersetzerwerkstatt to work on Andrea Pazienza\u2019s comic novel Gli ultimi giorni di Pompeo<\/em>. She is member of Drama Panorama, a forum linking the work of theatre translators and playwrights with theatre practitioners and theatres, and VD\u00dc, the association of literary translators in Germany.<\/p>\n

Translation<\/strong><\/p>\n

Theatre<\/strong><\/em><\/p>\n

\u00bbA MAP’s tale\u00ab by Charlie Dupr\u00e9, Rebecca Scott u.a., Theater unterm Dach 2023. Translation from English<\/p>\n

\u00bb37 Hours and 3 Minutes\u00ab by Gunilla Heilborn, fabrik Potsdam 2022. Translation and surtitles from English<\/p>\n

\u00bbRhizome\u00ab by Emanuele Giorgetti and Eliana Rotella, Landestheater Nieder\u00f6sterreich St. P\u00f6lten 2022. Translation from Italian<\/p>\n

\u00bbMWINDA. Ein Musical\u00ab by Belendjwa Peter, Theater Dortmund 2022. Translation from English<\/p>\n

Fiction<\/strong><\/em><\/p>\n

\u00bbHinter verschlossenen T\u00fcren\u00ab by Sacha Naspini. Kein & Aber, to be published 2023. Translation from Italian with Mirjam Bitter (novel)<\/p>\n

\u00bbAbschied von Mogadischu\u00ab by Ubah Cristina Ali Farah, in: Schl\u00fcsselorte, ed. by Fiston Mwanza Mujila, Interkontinental, to be published 2023. Translation from Italian (short story)<\/p>\n

\u00bbTimothy Top. Der magische gr\u00fcne Daumen\u00ab by Gud, Edition Helden 2022. Translation from Italian (comic).\u00a0Have a look<\/a><\/strong><\/p>\n

\u00bbSteinfrucht\u00ab by Lee Lai, Avant Verlag 2021. Translation from English (comic).\u00a0Have a look<\/a><\/strong><\/p>\n

\u00bbSchneewittchen \u2013 Neu erz\u00e4hlt\u00ab by Stephan Kalinski & Iain Botterill, Instinctively Limited 2019. Translation from English (picture book).\u00a0Have a look<\/a><\/strong><\/p>\n

Nonfiction<\/strong><\/em><\/p>\n

Most oft he essays in Carla Lonzi: Selbstbewusstwerdung. Schriften zu Kunst und Feminismus, ed. by Giovanna Zapperi, b_books 2021. Translation from Italian. Have a look<\/a><\/strong><\/p>\n

\u00bbZwischen Tr\u00e4umen und t\u00e4glicher Arbeit: Gedanken zu Alina Szapocznikows Atelier\u00ab by Kirsty Bell, In: A. Bonacina, M. Dziewanska & L. Heese (eds.) Alina Szapocznikow \u2013 Menschliche Landschaften<\/em>, Verlag Walther K\u00f6nig 2018. Translation from English<\/p>\n

Several articles in the magazine Radical Software<\/em> for the exhibition Radical Software. The Raindance Foundation, Media Ecology and Video Art<\/em>, ZKM Karlsruhe 2017. Translation from English. Read the texts<\/a><\/strong><\/p>\n

Several articles in: La nuova arte sovietica: una prospettiva non ufficiale \u2013 ZKK Rereading: Die Dissens-Biennale 1977 in Venedig<\/em>, ed. by M. Bertel\u00e9, S. Frimmel, Edition Schublade 2014. Translation from Italian. Download the booklet<\/a><\/strong><\/p>\n

 <\/p>\n

Own texts<\/strong><\/p>\n

\u00bbDolmetschen in der Asylanh\u00f6rung. Erkenntnisse der “Berliner Initiative” und ihr Transfer auf andere Settings\u00ab by Henrieke Markert, in: Migration \u00dcbersetzen. Alltags- und Forschungspraktiken des Dolmetschens im Rahmen von Flucht und Migration,<\/em> ed. by A. Treiber et al., Springer Nature 2020. Have a look<\/a><\/strong><\/p>\n

\u00bbPeripheres Schreiben in einer peripheren Existenz \u2013 Dolores Prato: Gi\u00f9 la piazza non c\u2019\u00e8 nessuno\u00ab von Henrieke Markert, in: Horizonte\u2014 Neue Serie \u2022 Nuova Serie, 2019 (Edition 4). Read the article<\/a><\/strong><\/p>\n

 <\/p>\n

Grants<\/strong><\/p>\n

Sequenzielle Kunst \u2013 Sprachliche Vielfalt mit flie\u00dfenden \u00dcberg\u00e4ngen 2019. Workshop on the translation of comics. Project: \u00bbBrucia\u00ab by Silvia Rocchi.<\/p>\n

Berliner \u00dcbersetzerwerkstatt 2017. Residency for literary translators in Berlin. Project: \u00bbGli ultimi giorni di Pompeo\u00ab by Andrea Pazienza.<\/p>\n

Hieronymus-Programm 2017. Residency for emerging translators. Project: \u00bbIl grande animale\u00ab\u00a0by Gabriele Di Fronzo.<\/p>\n","protected":false},"excerpt":{"rendered":"

Translation and Interpreting DE\/IT\/EN Henrieke Markert, born in 1985, studied Italian Philology and History of Art at the TU Dresden and the University of Trento as part of the German-Italian…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":18,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":10,"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":533,"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/pages\/20\/revisions\/533"}],"up":[{"embeddable":true,"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/www.buerozwei.berlin\/en\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}